Ancestral Night

Ancestral Night is a snappy and grippy space adventure. The big "future idea" here is not faster than light travel or even arguably the alien artifacts from long-disappeared alien races (although these things appear in the book); it's instead that humanity has discovered "rightminding", or the ability to directly manipulate emotions and hormones such that they can get past tendencies towards hierarchy or antisocial behaviors and coexist peacefully with aliens.

Rightminding reminds me of the mood organ from Do Androids Dream of Electric Sheep. However, instead of being a metaphor for the similarities of humans and androids (and also being a tiny side mention), here it's the meat of the story and gets at the line between brainwashing and merely adjusting your brain to get along better with others.

I love how talky this book is. Yeah, sure, there's stolen alien spaceships and sexy space pirates and giant ancient space squid. But also, there's constant rumination and bickering on what makes a just society, what it means to be a person, and what an individual's responsibility to their society is.

The other thing I think is done well is that nobody and nothing is perfect here. Maybe the Synarche is better than alternatives and involves a lot more consent than similar systems, but also it's built on atrocities and there's rightful criticisms you can make about what little you see. Similarly, rightminding is a useful tool, but also any tool can be misused.

Anywho, I quite enjoyed this. Fun ideas and interesting characters wrapped up in an action space story.

(A few more spoiler-y opinions in this post.)

Ancestral Night is a space opera, of the sort that features a crew of a small starship getting into some adventures in a universe of interesting aliens and colorful characters.

The book is written from the perspective of its protagonist, in a generally lighter tone, which works well for that character. The overall arc of the plot also does not get too dark—Ancestral Night belongs to the subgenre of space opera that features universes which, while perhaps not entirely utopian, are generally not unpleasant places to hypothetically exist in. The plot, nevertheless, involves the old favorites such as ancient mysteries of the universe and space pirates, which Elizabeth Bear utilizes to generally good effect in crafting a space adventure.

The novel is not just pulp, however. An underlying plot concerns the questions of individual autonomy versus collectivism, and the use of transhumanism to better societies as a whole. The protagonist, like many people in her world, uses cybernetic modifications to control her emotions and mental state, a practice which on a larger scale is used to keep the whole of Synarche—the society within which the protagonist lives—functioning. At times she comes to question whether such practices are wise, or at least if the extent to which they are employed is not too great. The one shortcoming of the novel is that while it hints at such ideological conflicts exist, the characters which stand opposed to the Synarche seem to be driven more by being antisocial, rather than any cohesive alternative ideology, serving mostly as foils to make the protagonist think about things.

Besides being an exploration of transhumanist emotional editing at a societal scale, the novel is an exploration of the same at an individual scale. We see the protagonist deal with her trauma, and deal with the fact that she has been dealing with her trauma through brain implants. Bear does not go with the usual cliches in exploring this, but rather allows us to see the protagonists experiences from her own perspective. Character-focused science fiction about personal experiences is another thing that the novel does well.

Overall, the book will probably be an entertaining read if space adventure stories featuring elements such space tugs with witty AIs, space pirates, and space cats living in free fall are something that appeals to you.