Kitchen.

Escribe Yoshimoto dun xeito casual, como se a protagonista estivese ao teu carón compartindo un té (chá), contándoche o que ceou onte e o soa que se sinte ( e está).

O sentimento de perda e vacío recorren os tres relatos, onde uns personaxes solitarios se dan forzas, unhas forzas que nin eles saben de onde saen.

It’s two distinct stories and only one of them is about kitchens. But they are both tender stories of survivors and how they cope with the death around them. Big ole don’t read if you don’t want to think about death.