Llaverac reviewed Dark Moon, Shallow Sea by David R. Slayton (The Gods of Night and Day, #1)
🌙🌊
3 étoiles
I had a hard time buying into the initial premise of the book: since the Knights of Hyperion murdered the Moon Goddess, a dozen years ago, the souls of the dead have been haunting the streets and may kill anyone who bleeds. Fish, or food in general, has become increasingly difficult to find. But it's treated as something that happened, whereas it's very much something the head of the main religion ordered, for reasons that only become clear near the end of the book. And people keep worshiping Hyperion without questioning his Knights' actions. If it were me, I think I would be ANGRY. (You could probably write a story about how some religious leaders made their followers' life difficult for selfish reasons and how these followers kept on believing in them, but that's not what Dark Moon, Shallow Sea is about.)
The first half of the book …
I had a hard time buying into the initial premise of the book: since the Knights of Hyperion murdered the Moon Goddess, a dozen years ago, the souls of the dead have been haunting the streets and may kill anyone who bleeds. Fish, or food in general, has become increasingly difficult to find. But it's treated as something that happened, whereas it's very much something the head of the main religion ordered, for reasons that only become clear near the end of the book. And people keep worshiping Hyperion without questioning his Knights' actions. If it were me, I think I would be ANGRY. (You could probably write a story about how some religious leaders made their followers' life difficult for selfish reasons and how these followers kept on believing in them, but that's not what Dark Moon, Shallow Sea is about.)
The first half of the book is a bit of a slog, not bad enough to drop the book immediately, but not good enough to actively enjoy the read. Also, good books with queer male leads written by a queer guy where the MM relationship is not the center of the story but just a part of it aren't easy to find, so I admit I was afraid I would miss the moment where the book finally shines and kept on reading.
On Twitter, the author described the city in which the story takes place as "a dark, mist-filled Venice full of empty canals" and I wish the writing had conveyed this atmosphere as clearly, because the setting felt so dull. It was also difficult to root for the main characters' romance since one of them remains a mystery until the last quarter of the story.
The second half is better: the setting changes, and characters whose viewpoints alternated until this point finally meet each other. The last quarter of the book, in particular, delivers several twists and revelations, although I feel like their impact could have been greater if the characters and their relationships had been more fully developed earlier in the narrative. It felt more like a succession of very lucky encounters than satisfying payoffs.