Lois Lowry: Giver (1993, Houghton Mifflin Harcourt Publishing Company)
192 pages
Langue : English
Publié 28 novembre 1993 par Houghton Mifflin Harcourt Publishing Company.
Given his lifetime assignment at the Ceremony of Twelve, Jonas becomes the receiver of memories shared by only one other in his community and discovers the terrible truth about the society in which he lives.
Decent book. Well written. More appropriate for YA readers, but as an adult I can still appreciate it. Wish I could give it 3.5 stars instead of 4 (or 3), but rounded up to 4 because I probably would have liked it more in my youth.
I first read this book in high school, but I'm glad I picked it up again to read.
At the beginning, the author throws you straight in, which can make the reader feel like an outsider and not sure about anything.
The copy I had (e-book) had a number of missing spaces between words, and weird line spacing (where the line would finish, then the next word would be on the next line). Both of these happen multiple times which sometimes may for some frustrating reading.
There are a number of things that happen in the book that happen in real life,
"But the committee would never bother The Receiver with a question about bicycles; they would simply fret and argue about it themselves for years, until the citizens forgot that it had ever gone to them for study."
There are a couple of times where the author moves forward …
I first read this book in high school, but I'm glad I picked it up again to read.
At the beginning, the author throws you straight in, which can make the reader feel like an outsider and not sure about anything.
The copy I had (e-book) had a number of missing spaces between words, and weird line spacing (where the line would finish, then the next word would be on the next line). Both of these happen multiple times which sometimes may for some frustrating reading.
There are a number of things that happen in the book that happen in real life,
"But the committee would never bother The Receiver with a question about bicycles; they would simply fret and argue about it themselves for years, until the citizens forgot that it had ever gone to them for study."
There are a couple of times where the author moves forward (or back) a length of time without indicating it to the reader, which comes across as confusing.
When I finished the book (which I did in one day) I'm not sure if it ended on a positive or negative note. I was almost in a haze for the rest of the day.
"Jonas frowned. "I wish we had those things, still. Just now and then.""
"It's the choosing that's important, isn't it?"
"The life where nothing was ever unexpected. Or inconvenient. Or unusual. The life without color, pain, or past."
Ordinarily, I’m not a huge fan of the YA Dystopian genre. Reading this story, I think I finally realised why that is: they’re all poor imitations of this one!
Just kidding. They’re actually quite different.
In most modern YA Dystopian stories, we’re told “the way things are” over a few pages, early in the story. Most of these stories are also told in the first person (often through the eyes of a teenage girl), and they’re presented in a way that intends to disgust and revolt us straight away. The situation is unequivocably, irrevocably bad, it needs to change as soon as possible, and the protagonist is going to be the one to do it.
You’re told what to think and how to feel about the state of the world.
This story’s different. It’s told in third person, and focusses on Jonas, a regular kid of approximately eleven years old …
Ordinarily, I’m not a huge fan of the YA Dystopian genre. Reading this story, I think I finally realised why that is: they’re all poor imitations of this one!
Just kidding. They’re actually quite different.
In most modern YA Dystopian stories, we’re told “the way things are” over a few pages, early in the story. Most of these stories are also told in the first person (often through the eyes of a teenage girl), and they’re presented in a way that intends to disgust and revolt us straight away. The situation is unequivocably, irrevocably bad, it needs to change as soon as possible, and the protagonist is going to be the one to do it.
You’re told what to think and how to feel about the state of the world.
This story’s different. It’s told in third person, and focusses on Jonas, a regular kid of approximately eleven years old (I say “approximately” because nobody really knows exactly how old they are or when their individual birthday is). The author describes the way the world works, and the rules under which Jonas and his peers live, very matter-of-factly. Jonas himself has no particular feelings about whether they’re good or bad; they just are.
You as the reader aren’t encouraged to have any feelings about whether they’re good or bad either. You get to make up your own mind. The various cultural norms and expectations are also unwrapped slowly over the course of the book.
That you’re allowed to make up your own mind gives you the freedom to feel like some things are actually good. For a good chunk of the beginning of the book, I thought, “Oh, that’s not so bad!” or “Hmm, okay, I can see how that might be useful,” and it wasn’t until Chapter Five that I read something and really went, “Oh, heell no!”
That’s powerful storytelling, because it shows how insidious things can be. How seemingly innocuous things, left unchecked, can escalate to where nobody understands how they got there and no idea how to fix it.
Like many YA Dystopian stories, Jonas starts out feeling apprehensive about a big upcoming event. Unlike many YA Dystopian stories, his anxiety doesn’t devolve into the over-the-top teenage angst we find in so many modern YA stories: “OMG! OMG! My life is over! The sky is falling! What am I going to do now?! Nothing’s ever going to be the same again!”
Please.
No. Jonas is apprehensive, and a little anxious, but he’s also excited. He knows that he’s about to go through what his father went through when he was an Eleven. What his mother went through. What his younger sister will go through in a few years’ time.
It isn’t the end of the world. Nor is it particularly good or bad. It just is.
This is such a refreshing story, I honestly can’t think of a single bad thing to say about it. I’ve heard it described as the story that started the YA Dystopian genre. I can believe it, and I can safely say that while there have been many imitations, there’s never been one to rival The Giver.
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