Blood and Ruins

The Great Imperial War, 1931–1945

eBook, 1040 pages

Langue : English

Publié 25 août 2021 par Penguin Books.

ISBN :
978-0-14-192783-1
ISBN copié !

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5 étoiles (1 critique)

Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. He argues that this was the ‘great imperial war’, a violent end to almost a century of global imperial expansion which reached its peak in the ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and costliest war in human history and the end, after 1945, of all territorial empires.

How war on a huge scale was fought, supplied, paid for, supported by mass mobilization and morally justified forms the heart of this new account. Above all, Overy explains the bitter cost for those involved in fighting, and the exceptional level of crime and atrocity that marked these imperial projects, the war and its aftermath. This war was as deadly for civilians as it was for the …

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a publié une critique de Blood and Ruins par Richard Overy

Forget what you thought you knew about the Second World War

5 étoiles

Overy’s monumental, erudite take on current revisionist historical WW II scholarship repositions a conflict traditionally seen as a mostly Western one (with a Pacific sideshow) as but a part of the long death throes of territorial empire post WW I. The breadth and depth of the book is frankly mind blowing, even if some parts suffer a bit from being visibly based on elder, narrower scholarship (like the chapter on popular resistance, which almost entirely glosses over the South and South East Asian anti-Japanese resistance movements that play such an important role in the book’s opening and closing chapters), and some social science methodical rigour would have helped the more psychological analyses, but these are minor niggles that cannot mar a colossal achievement.

Overy never loses track of the grand picture; his views on race, gender and power in the conflict are unflinchingly clear and modern; and his writing is …

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