This Is How You Lose the Time War

3.25 ⭐ Update: After finishing, everything in my early review still stands; the writing did get a little easier to read/ understand as things ramped up to the climax, but there was still so much left unexplained and just left open. A nice little love story, but if you don't understand something don't even worry about it 'cause it doesn't really matter, mostly only the letters and the events of the ending do.

- original review _
I started this and will try to get through it, but it seems like this book's biggest uniqueness is also its downfall - the poetic writing. I will not lie that the deeply floral, expressive, and comparison language is wonderful to see/listen to; but when trying to describe ever quickly changing settings, premises, and other details in a sci-fi timeline hopping environment it just as quickly causes confusion, and kills the pacing, as I find myself re-reading paragraphs multiple times just to understand exactly what something meant or what happened. And this is a very short book too so it is not as bad but still, it's discouraging to find myself taking forever to finish a quick chapter (and I read high fantasy).

Without spoilers, this book is written in alternating characters voices, different settings, and letters back and forth between them. There is a premise but it just kind of throws you into it without explanation (yet as of where I am at). So trying to track what's going on, whose turn it is, and immerse myself into the newest timeline setting and figure out what they are trying to accomplish amid over the top and flowery language, in the span of <10mins before it changes all over again, is daunting

Amal El-Mothar and Max Gladsonte's "This is How You Lose the Time War" follows two agents, Red and Blue, on opposite sides of a war that spans all of time and (some of?) space across multiple universes.

Each chapter starts with a snapshot of what each agent is doing to advance their side's cause, whether that's taking part in major historical events or planting the seeds for 'coincidences' in the future, and ends with the discovery of a letter from their counterpart. What begins as acknowledgements of respect, nods across the battlefield, gradually grow into something more.

Fans of science fiction may be disappointed by the lack of focus on the time-traveling, universe-hopping backdrop to this story of star-crossing lovers. Details are sparse, and little is disclosed about the factions or why they are at war other than hints and impressions throughout the book.

The gradual, tip-toeing romance between Red and Blue via their elegantly composed letters is the strength of this book. There is a sweetness as the characters, hovering just beyond what one might call "human", discover that they are capable of such love, and for who should be their mortal enemy, no less. Readers who never tire of "Romeo and Juliette" will find much to love in "This is How You Lose the Time War".

I can't decide if this would have worked better (for me) as a short story, or a full length book. If it was longer, it could have expanded on it's ideas. If it had been shorter, it wouldn't have felt so repetetive.

There is some good ideas here, but they deserve better than being hand waved away. How do Red and Blue target their letters to each other across strands of time? If there are certain contested junctures in time, shouldn't they be swarmed with agents, and multiple aspects of the same agents? If the protagonists are just cogs in two massive opposing machines battling for supremacy over all time - why does it seems like they are the only two operators in the field?

I'm not saying this is a bad book, there is a lot good writing here. But it didn't work for me. Two highly subjective stars. (I'm going to hold of actually rating as there are so few reviews here yet)

"This is How You Lose the Time War" asks the reader to perch on the shoulders of two operatives on opposing sides of a time-traveling war.

Each chapter follows "Red" or "Blue" as they scurry up and down timelines and across dimensions. The book is both sweepingly broad and extremely contained and personal.

The settings flit by, dizzying: a temple for mechanized humans, an ancient holy cave, the assassination of Caesar - each sketched with broad, emotional strokes to give the setting an aesthetic. One gets the sense that a great web of cause and effect is being constantly constructed, altered, and destroyed, without ever seeing the full picture.

Against these backdrops, the characters "Red" and "Blue" write to each other - as nemeses, then as friends, ever deeper entangled even as they demolish each other's plans and forces. The letters make up an enormous part of the experience, and they are comic, intimate... poignant. I didn't give a damn about the war - I just wanted these two characters to be alright.

I loved it. I stayed up past midnight every day I was reading, which wasn't long because I had to see what came next and kept reading.