The Message

256 pages

Langue : English

Publié 2024 par Random House Publishing Group.

ISBN :
978-0-593-23038-1
ISBN copié !

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(3 critiques)

Ta-Nehisi Coates originally set off to write a book about writing, in the tradition of Orwell’s classic Politics and the English Language, but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.

The first of the book’s three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist, Coates had never set foot on the African continent until now. He roams the “steampunk” city of “old traditions and new machinery,” but everywhere he goes he feels as if he’s in two places at once: a modern city in Senegal and a mythic kingdom in his mind. Finally he travels to the slave castles off the coast and has his own reckoning with the legacy of the Afrocentric dream.

He takes readers along with him to Columbia, South Carolina, where he meets an educator whose job …

4 éditions

a publié une critique de The Message par Ta-Nehisi Coates

Perfect Revisionism

An academic friend of mine once said that only the best writers admit they were wrong and revise their past work. This book is, at its heart, a revision and an awakening in a writer who was already a wonderful and careful essayist. Ta-Nehisi Coates has beautiful prose, giving voice to Black and other marginalised people, influenced by his own US (Baltimore) lived perspective. His writing plays with ideas, a type of artistic journalism that unravels myth and connects disparate parts.

The Message comes in three sections: First, a visit to Dakar in Senegal, where he unpacks some of his ancestral baggage. Second, a trip to South Carolina where he tries to help a schoolteacher stop a ban on his and other Black authors' books. And third, a trip to Palestine, where he witnesses the apartheid system there and then revises his essay over a decade old, 'The Case for …

Vital

A powerful set of first person essays on injustice that serve to emphasize the parallels - and hard links of funding and culture - between systemic racism in America and in Israel. Its point is not to provide a comprehensive overview of the problem, but to shine a light through a particular lens into it. The result is compelling and tragic. A portrait of occupation and oppression which is easier to overlook than face.