A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses—until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.
A surreal, provocative fable about the power of memory and …
A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses—until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.
A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.
Finalist for the International Booker Prize and the National Book Award. American Book Award winner.
I appreciated the resonances here - of loss and death, of censorship and control, of the rigidity life takes on as you grow old - and have no idea which were intended. It doesn’t matter. The themes of inevitable loss in particular spoke to me and made me realize truths about people I’ve lost and people I know I will lose soon because time is out of my control. You can accept it, you can frantically try to hold on, but it will happen anyway.
this is the first book i’ve read on my own outside of school in a very long time. i wasn’t a fan of 1984 but i was still looking for a good dystopian novel, so i tried this one. i really enjoy the author’s writing style, it makes the characters feel so full and alive. i think there’s a lot to think about with this book, and it leaves you questioning things. i do think the ending was a bit quick, but i’m sure it was intentional. i recommend this book if you’re looking for a good dystopian.
It wasn't for me, but I'm still glad I read it. Ogawa's greyscale, slowly grinding dystopia gives the mind's eye a view of a world where epistemic injustice is extremely unsubtle, and still the people oppressed are unable to give voice to this, in fact directly because of it. The mechanics of the world don't quite make sense -maybe something lost in translation- but once you move past the small things that you think need answers and look at the bigger picture, things begin to take shape. Interesting questions about the setting and happenings of the narrative are left unanswered intentionally, and left as exercises to the reader. I was reminded throughout my reading of Yokohama Kaidashi Kiko- that being a 90s reaction to climate change and this a piece of dystopic literature, but the comparison seems apt to me because of the slow creep of impending doom. The eponymous …
It wasn't for me, but I'm still glad I read it. Ogawa's greyscale, slowly grinding dystopia gives the mind's eye a view of a world where epistemic injustice is extremely unsubtle, and still the people oppressed are unable to give voice to this, in fact directly because of it. The mechanics of the world don't quite make sense -maybe something lost in translation- but once you move past the small things that you think need answers and look at the bigger picture, things begin to take shape. Interesting questions about the setting and happenings of the narrative are left unanswered intentionally, and left as exercises to the reader. I was reminded throughout my reading of Yokohama Kaidashi Kiko- that being a 90s reaction to climate change and this a piece of dystopic literature, but the comparison seems apt to me because of the slow creep of impending doom. The eponymous Memory Police almost seem more like a force of nature run amok than anything human.
A great book club read that generates lots of discussion regardless of whether you like it or not. I don't think I'll be returning to it, though.
Even at its darkest, you can still find a glimmer of hope in the strangest of places when you've given up looking. Grasping onto things as if they won't change is so painful. Floating on the wave, allows you to survive albeit in a different way than expected.
I didn't want this book to finish but it has and I loved it! There was something very surreal and oddly comforting about reading a story where everyday things disappear during a pandemic where much of our former lives has disappeared
