448 pages
Langue : English
Publié 25 décembre 2022
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.
Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a …
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.
Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal.
Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.
interessante la prospettiva sulla moralità che l'autrice ha all'interno del libro TW: violenza di genere
There are some heavy topics covered in this book. But I feel they are important to share out. Specially if you are a man, this point of view of a woman in a male-centric workplace makes you realize all the things that you may have missed. A must read for anyone who loves graphic novels
How can men be so crass, so misogynistic, so violent, when transplanted to the extreme environs of capitalist extraction far from anyplace recognizable as home? Documentary reflection after anguished disillusion and mistreatment, drolly told.
Avertissement sur le contenu CW: sexual violence
It's the feeling of dread that stayed with me the most after reading this book. There's the boredom of a monotonous job, the incessant background noise of a male-dominated working environment, the friction of having to interact with people who don't respect you, the alien, dehumanizing landscape that's your home now and that you can't easily escape from.
Kate Beaton lays it all out patiently, meticulously painting a picture of the two years that she worked in the oil sands of Alberta. Her style of writing and drawing are understated, but the trauma she goes through is unmistakable. She's scolded for being "out of it" at work the day after. She tries to confide in some male friends but is met with cold indifference. The loneliness of it all is suffocating.
Beaton explicitly spells out the thesis of her work: this story is not one of "men bad". Most of the men at her workplace never interact with her in any way. Some are shown to be genuinely good people, bringing her home-baked cookies on a lonely Christmas eve, or giving her a poster-sized print of a photo of the northern light. Some are nice enough in private but turn into cowards in a group. Some maintain a friendly face in a group but turn into creeps in private. It's about what a working culture like this does to people, both to the women and to the men. It's about the betrayal she feels from the men that seem familiar, some old enough to be her dad, some that talk in the same accent as herself, some that have families at home. And yet.
It's also about what this heavy industry does to the Indigenous people of Canada, and to the land that was stolen from them. The callous indifference they are treated with is strikingly similar to what Beaton herself goes through.
"Ducks" is not an easy read, but it's a good one.
